Things to Do in Andalucia

Picasso’s birthplace is located on the elegant Plaza de la Merced barely 200 yards (180 m) from the awesome Museo Picasso Malaga, which holds over 150 of his artworks. Standing at the end of Calle Alcazabilla, the sweeping square is dominated by an obelisk honoring General Torrijos, an aristocratic revolutionary who fought against French invasion of Spain and was publically executed here for his pains in 1831.

This bourgeois, tree-fringed piazza was once site of Málaga’s main produce market and is today lined with smart, shuttered and balconied townhouses, cafés and top-end restaurants. It lies at the very heart of the city and each night locals gather here to promenade and chat in the tapas bars. The last Sunday of the month sees Málaga’s main craft market held in the square, where local delicacies such as Serrano ham and tortilla are also on sale.

It stands to good reason that there would be a museum of the great Picasso in Andalucia’s Malaga: this is where the painter, draughtsman, and sculptor was born, after all. Located only 200 yards from the Plaza de la Merced, Picasso’s actual birthplace, the Museo Picasso Malaga holds over 150 works of the famous Picasso on permanent display and presents new rotating exhibits year-round.

Picasso was revolutionary in his time for co-founding the Cubist movement and for the wide variety of artistic styles he helped explore. And while his most well-known works are typically referred to his period paintings, Picasso worked across a variety of mediums. Sketchbooks from his early years where he focused on realism, a variety of cubist ceramic pieces, and some intricate engravings are on permanent display at the Museo Picasso Malaga, and many of these pieces were personal gifts from his living descendants.

Sprinkled across the Spanish Peninsula, you'll come across Jewish Quarters known as juderías. In Córdoba, which was once considered the most populous city in the world, the Jewish community especially thrived, and now its ancient neighborhood of white buildings is considered one of the most famous juderías in Spain.

The Jewish community indeed played an important role culturally in the history of the Iberian Peninsula. During the Moorish Caliphate -- the period of Islamic rule over Spain which ended in 1031 -- the Jewish community flourished as Córdoba rose as a center for commerce, prosperity, education and religious tolerance.

The Albaicin (also spelled Albayzin or Albaycin) is Granada's old Muslim quarter, and its steep twisting streets still have a medieval feel. With its white buildings and deep-gardened mansions spilling down the hill, the Albaicin is beautiful in itself, but what makes it particularly stunning is its views of the Alhambra. (The views of the Albaicin from the Alhambra enhance that experience as well!) There's a viewing point by the church of St. Nicolas that offers particularly good Alhambra vistas.

The Albaicin was heritage-listed in 1984. Its name may have derived from settlers fleeing the Christian invasion of the town Baeza, or it may derive from an Arabic phrase meaning 'quarter of the falconers.' Despite the Christian conquest of the city in 1492, it survived as a Muslim quarter for some decades, and you can still see the remains of Islamic bathhouses, mansions and fountains.

Sacromonte is traditionally Granada's Gitano quarter, and these days is the epicenter of the city's flamenco-based tourist trade. Spilling down the sides of its hill (the 'sacred mountain' of the name - the district is actually named after the Sacromonte Abbey), the area has been extensively commercialized, but still has plenty of magic. At dusk, with the lights twinkling and the Alhambra views, it's hard to resist.

It was in the 19th century that Sacromonte became the province of the Gitano. The local rock has enough clay to be soft, but enough rock to be stable when formed. Hence, many of the poorer people shaped caves into the sides of Sacromonte and lived in those. The community - and flamenco - thrived. During the 1960s floods rendered many of the caves uninhabitable, and many of the locals evacuated.

South of Seville's main old quarter and extending along the Guadalquivir River, you'll stumble upon the city's main green getaway, Maria Luisa Park. Once primarily the land of the Palace of San Telmo (now home to Andalusia’s president), this patch of paradise was donated to the public in 1893, evolving over the years into the Seville escape that you see today.

Most of its transformation came about during preparation for the 1929 World's Fair: expansive boulevards were created, fountains erected, gardens planted. Today’s park is so robust in flora and fauna that it is actually considered a proper botanical garden. And expect not only diverse plants, but also birds too, including ducks and swans that float in the fountains and lakes, and even green parrots that live in the center of the park. It's not all just grassy knolls, ponds and paths, either: Maria Luisa Park is also home to numerous monuments and sights.

There is no more perfect symbol of Seville's layered history than the Giralda Tower (or El Giraldillo) the bell tower of the city's cathedral. It stands a little apart from the main building; it was once the minaret of the mosque that stood on the site before it was razed to make way for the cathedral.

Just steps away from the Alcázar, and perched upon the Guadalquivir River, stands one of Seville's most un-missable monuments from the past, the Torre del Oro, or Golden Tower.

The 12-sided tower dates back to the Almohad Dynasty, when it was constructed in the 13th century. The theories behind the name's origin vary: Some say it came from the tower's once gold-tiled exterior, others say that it was due to it being a drop-off and storage point for gold delivery from the New World, and still others believe the title is simply a result of the landmark's golden-hued reflection on the river.

Málaga’s gleaming white-stone cathedral was built over many years on the former site of a mosque after Isabella and Ferdinand had expelled the Moors from Andalusia in the 1480s. All that is now left of the mosque is the pretty Patio de los Naranjos, still filled with sweet-smelling orange trees. The cathedral is affectionately known locally as La Manquita (the one-armed lady) as it only has one – granted very elaborate and Baroque – bell tower.

The original architect of the cathedral was Diego de Siloe and construction began in 1528; it continued slowly over the next two and a half centuries and this can clearly be seen in the mish-mash of Gothic, Renaissance and Baroque architecture on the façade. The architecture José Martín de Aldehuela, who built the Puente Nuevo in Ronda, also had a hand in finishing this cathedral.

The biggest draw of Granada’s UNESCO-listed Albaycin quarter is the hilltop Mirador de San Nicolás, a small raised plaza that lies in front of the San Nicolás Church. This is the city’s most renowned lookout point, from where the magnificent panoramic views span the city center, the distant Sierra Nevada Mountains, the Rio Darro canyon and, most famously, the grand Alhambra palace.

The small public square is a lively place to be at all times of the day, with a handful of craftsmen setting up shop along the paving stones and a roster of street musicians and flamenco dancers on hand to entertain visitors. The most atmospheric time to arrive is at dusk, when crowds of locals and tourists turn out to watch the sunset over the palace grounds, before adjourning to the restaurants and teashops of nearby Elvira Street.

Córdoba doesn't just have a Grand Mosque, but also a palace: the Alcázar de los Reyes Cristianos. Once the site of a Visigoth fortress, it was ultimately rebuilt to house the caliphs of Córdoba, before being taken over by the Christians. Once in their hands, the palace was famously home to King Ferdinand and Queen Isabel for eight years during the Spanish Inquisition. During that time, it was even visited by Christopher Columbus, who came to explain plans for his westward journey to the Catholic Kings.

The palace has gone through various rounds of re-buildings and modifications, with today's structure maintaining little of the Moorish one that stood before it. Even so, the present-day Alcázar still has a Moorish flavor, given the Múdejar style of design and architecture implemented under King Alfonso XI.